It is accessible, fun, has simple but solid playable mechanics and a remarkable technical section.
#VIRTUA TENNIS 4 PLUS#
In this regard, some fare better than others: while with Move and the Wii Motion Plus the result is quite acceptable, with the Kinect VT4 it becomes a kind of Wii Sports, in which the console controls the player’s movement and we we just wave our arms with open hands trying to imitate a racket.Īs what it is, a purely arcade game, Virtua Tennis 4 more than delivers.
#VIRTUA TENNIS 4 PS3#
Stereoscopic 3D has also been implemented on 360 and PS3 and gesture control on all platforms. seen in Top Spin 4, in general terms it cannot be said that Virtua Tennis 4 surprises, neither for better nor for worse. It’s not overly flashy or groundbreaking in this regard, nor is it graphically innovative: while the graphics engine runs with an enviable bomb-proof frame-rate, the modeling of the players is quite realistic and some lighting effects clearly outperform. The World Tour is accompanied by the usual arcade, exhibition, party modes (with several quite fun minigames) and the different online options. Its longevity and variety is considerable, something that is also appreciated. At first, its development seems strange when compared to the career mode of Top Spin 4, but the truth is that in a short time you will get a taste of the way things are unlocked and it becomes more and more addictive.
#VIRTUA TENNIS 4 FULL#
Throughout four seasons we move through a world map full of events, playing tournaments, exhibitions, mini-games and doing special tests to earn points with which to improve the attributes of our tennis player, money to buy clothes and accessories and stars to go up points in the ranking of players.
What has changed the most, in any case, is the career mode (World Tour). The other novelty is the power shots, a special shot very much like Mario Tennis that is slowly recharged with an energy bar and that allows us to give an almost unstoppable blow with which we can save delicate moments such as a break or match point. The system is not as good as the progression we saw in Top Spin 4, but it is important enough to give nuances to the game according to the chosen character and it is balanced enough that one style does not have a clear advantage over the others. Federer, for example, has a balanced type of play, Nadal relies on a solid defense, Roddick on a powerful serve and Del Potro on hard, dry shots. The first are the styles of games that define each of the players and that make them behave in a more specific way. Even so, AM3 has introduced a couple of novelties that have a slight influence on the future of the matches and that help to improve the formula. Obviating that the simulation is conspicuous by its absence, the problem is that if you have already played a lot of previous games in the series, the feeling of déjà vú is constant even despite the inclusion of several improvements.īecause the playable mechanics are still the same as the 1999 game, with very few changes, and the truth is that, to a certain extent, it is understandable: right now I can think of very few examples of video games that have hit so brutally certain to when laying your foundations as Virtua Tennis. This strong commitment to the arcade approach can also be seen in small details, such as the fact that in games there is pounding music in the background, the players are immune to fatigue or the ball has a constant wake effect. VT4 is once again programmed by AM3, the team that created the original (in the last installments the franchise passed into the hands of the British Sumo Digital), and it shows from the first moment. The secret, something that Virtua Tennis 4 keeps intact, is immediate accessibility, fast and addictive pace, simple but deep and intuitive playable mechanics, and perfect balance in multiplayer games. Something similar happens to Mie Kumagai, one of those living myths that still remain in SEGA: no matter how hard she tries, surely this Japanese designer will never be able to achieve the perfection achieved in 1999 with the first Virtua Tennis. It is a huge slab that film directors (Orson Welles, Richard Kelly), music groups (Led Zeppelin, New York Dolls) or writers (JD Salinger, Harper Lee) have suffered. Probably the worst thing that can happen to a creator is that his first work turns out so good that his later career is incapable of surpassing it.
0 kommentar(er)
